Subscribe Now to Our Free Email Newsletter

DaVinci Coders
March 4th, 2013 at 3:52 pm

6 inventors who changed the world but got little credit for it

Just because you worked hard and your perseverance led you to create something that changed the world, it doesn’t mean that you’ll get fame, fortune, or the slightest bit of recognition out of it. Some inventors get so little credit that we completely forget about them.  Here are six of them.

 

 

6.  Siegel and Shuster, Superman’s Creators

Jerry Siegel and Joe Shuster created Superman, the most famous superhero ever, perhaps with the exception of Spider-Man or that kid who changes the channel with his eyes in X2.

Debuting in 1938, Superman was an instant success. DC Comics soon followed up the “man in underpants punches criminals” concept with Batman, and that was it, there was no turning back: Siegel and Shuster’s creation had started a multibillion-dollar industry that is still going strong today, spawning toys, T-shirts, and, oh yeah, some of the highest-grossing movies of all time.

Nice one, Siegel and Shuster!

But they got screwed

“Nice one, Siegel and Shuster” is exactly what DC must have said, in a sarcastic tone, when the duo famously sold them all rights to Superman for a measly $130, a check that’s now ironically worth hundreds of thousands of dollars.

At the time, no one suspected that the guy in blue pajamas that they’d been drawing would turn into a cultural icon — so when he did, and Siegel and Shuster continued getting squat, the pair embarked on perhaps the longest clusterfuck in copyright history.

The duo spent the better part of their lives unsuccessfully trying to reclaim some part of their creation, only to be rebuffed time and time again. While DC raked in billions from Superman alone, Siegel and Shuster lived the lives of paupers. They were given a yearly pension in the late 1970s by Warner Bros. (which had purchased DC), but only because the studio couldn’t afford the bad publicity with a Superman movie on the way.

In 1999, three years after Siegel died, his family successfully won the rights to his half of his creation. A happy ending, right? Nope! This meant dick to Warner Bros., who still refused to pay them a penny, leaving them to fight in court for another 10 fucking years. And the superdickery continues: More recently, documents disappeared from Siegel’s daughter’s attorney’s office and somehow wound up in the hands of Warner Bros. executives.

5. Philo T. Farnsworth, The Farm Boy Who Invented Television

Philo Farnsworth, besides having the supreme honor of inspiring a Futurama character, was a serial inventor with a list of credited patents longer than his forehead.

Among those patents was the one that made television possible: an “image dissector” that could capture images as a series of lines to be displayed electronically. If that isn’t impressive enough for you, consider the fact that Farnsworth came up with the idea at age 14, while growing up on a farm in Idaho, and first demonstrated it at 21, in 1927. If that didn’t make you feel bad about yourself, it should have.

But Then He Got Screwed

IL-Header-Communicating-with-the-Future

When the young inventor applied for a patent at age 20, David Sarnoff of the Radio Corporation of America took notice. Radio had a pretty cozy spot at the center of the American living room at this point, and Sarnoff wasn’t interested in letting that change. And if it did, then he would at least make sure that RCA would be the one getting rich from it.

Sarnoff kept Farnsworth tied in a series of legal battles over the next decade using a number of bullshit tactics, like hiring a Russian inventor to spy on him or using said inventor’s earlier patents (which they could never get to work) to argue that he had invented TV. At one point Sarnoff just said “Fuck it” and started making TVs without paying Farnsworth. RCA was eventually forced to pay him a one-time $1 million licensing fee, but it wasn’t worth the emotional stress that had left the man crippled.

Then the whole television business was put on hold when the ’40s rolled around and the government told everyone to focus on building things that could kill Germans. The final blow came when Farnsworth’s patents expired just as World War II ended … and, what do you know, television sales skyrocketed. RCA, or anyone else for that matter, no longer had to even pretend to give a shit about paying Farnsworth for his invention.

It wasn’t until 20 years after his death that the government decided that Farnsworth probably deserved some recognition. No shit.

4. Edwin H. Armstrong, the Father of FM Radio

When is the last time you listened to AM radio? Intentionally? The sound quality is so bad that most of the programming is reduced to things that already sound like shit, like conservative talk radio or a single, never-ending religious sermon in Spanish.

The much superior FM was invented by Edwin Armstrong, who created a system to reduce interference across radio bands in the 1910s. He continued his lifelong vendetta against crappy sound in the ’20s, when he came up with frequency modulation (FM) as a way to reduce static. We will now reiterate that he developed all this technology nearly 100 years ago, and it’s still present in all modern radios.

But Then He Got Screwed

Things seemed to be going swimmingly for Armstrong for a while, but it was at this point that a remarkably smug asshole came into the picture.

Yes, David fucking Sarnoff from RC-fucking-A proceeded to mess with the life of yet another world-changing inventor. Sarnoff had built his empire with AM radio, so he decided that if FM was the way of the future, then he’d do anything possible to pull a John Connor on that future. Since Armstrong wouldn’t relinquish his patent, Sarnoff made sure that RCA not only stopped supporting the development of the new technology, but actively tried to stop it.

In 1937, Armstrong used money from his own pocket to build the very first FM radio station. Another followed, then another, until by the mid ’40s a string of stations known as the Yankee Network were busy convincing everyone of the superiority of FM, just by existing. And then it all stopped.

In a dick move of epic proportions, Sarnoff successfully lobbied the FCC to move the FM band to a different place on the dial, from 42 to 50 MHz to 88 to 108 MHz. While there were somewhat valid technical reasons for this, a happy side effect for RCA was that it made all of Armstrong’s stations instantly obsolete.

It took decades for FM radio to recover. In the late ’70s, it finally surpassed AM, but Armstrong was long gone by then, having committed suicide in 1954 by jumping from the 13th floor of his office building, presumably screaming “FUCK SARNOOOOOOFFFF” all the way down.

3. John Walker, Inventor of the Match

About 500 billion matches are used every year in the United States — that’s the kind of volume you can do when your product sets itself on fire with every use. Before the invention of self-igniting friction matches, people simply used sticks that caught on fire when you, y’know, put them near fire.

This changed when John Walker, an English chemist born in 1871, began coating sticks in a number of dangerous-sounding chemicals until he happened upon one that, when struck against a surface, erupted in flames. Other self-igniting matches had been tried before, but they were extremely impractical, by which we mean that a lot of people probably lost their eyebrows or worse using them.

Walker’s invention caught on fire, both literally and figuratively, and we still keep matches around today, despite the fact that we’ve all heard of lighters.

But Then He Got Screwed

Walker, unaware of the potential of his invention, worked on these new “friction lights” for about a year, then promptly forgot about the whole thing and stopped selling them. People close to him implored Walker to patent his friction light, since he’d just revolutionized the creation of fire and all. Walker declined, believing that his invention could better benefit mankind without a patent.

Others, however, believed that Walker’s invention could better benefit mankind by making them rich.

In 1829, another inventor named Isaac Holden independently came up with an improved version of Walker’s friction matches. Like Walker, Holden neglected to patent his idea … and that’s where one Samuel Jones came in. Jones, realizing that Walker and Holden had effectively created one of the most useful inventions in the history of civilization and weren’t making money from it, decided to do it on their behalf, because he was nice like that.

Almost immediately, Jones patented the exact same thing and began selling it under the name “Lucifers,” because fuck it — if you’re gonna be evil, you might as well go to the source. Soon other brands began offering improved versions of the same thing, all for a price, of course. It wasn’t until they were all dead that Walker was credited for his invention, and Jones for being a douchebag.

2. Stephen Foster, the Father of American Music

There are some tunes that you’re just born knowing. If we somehow forced you to hum a melody right now, chances are that a great number of you would go with something like “Oh! Susanna”:

YouTube Preview Image

Or “Camptown Races” (you know, the one that goes “doo-da, doo-da”):

YouTube Preview Image

Or maybe something more nostalgic, like “Old Folks at Home”:

YouTube Preview Image

Man, can you imagine if all these songs had been written by the same guy, and that he’d been actively trying to get money from them? That dude would have been richer than Madonna and Bono combined.

Actually, all those songs and more were written by the same person, and he did try to cash in on them — the keyword being “try.”

But Then He Got Screwed

In the 1800s, Stephen Foster wrote classics like “My Old Kentucky Home” and “Beautiful Dreamer” and over 200 other songs. Foster was a professional songwriter before those existed. Seriously: The profession literally did not exist before Foster trailblazed it like a motherfucker.

Of course, the problem with being the first in his profession was that there were no such things as “enforcing copyright” or “not screwing over songwriters” back then. Today, Foster would have earned obscene amounts of money from “Oh! Susanna” alone, but in 1848, he got exactly $100 for the rights to publish the sheet music, while the publisher made $10,000 selling his work.

Even when Foster became a minor celebrity, he continued getting nothing but pennies for every copy of his work that was sold. For his dozens of hit songs, he saw around $15,000 in royalties in his whole life. In the 1860s, he was dumped by his wife, who had probably had enough of sticking around with this dude who wrote like a rock star, and drank like a rock star, but was not rich like one. He died at the age of 37 after hitting his head on a washbasin, with around 40 cents in his pocket.

His contributions can’t be overstated. Not only did he create most of the conventions of popular songwriting as we know them today, but he also demonstrated the need for intellectual property laws by getting repeatedly screwed.

1. Gary Kildall, the Father of the Operating System

Gary Kildall is one of the guys we have to thank for the fact that you don’t need to be a genius to use the ultra advanced computer you are looking at right now to search for porn. Thank you, Gary.

In 1973, Kildall made life a lot easier for nerds everywhere when he created CP/M, a groundbreaking operating system for microcomputers (which is what they called any computer smaller than a semi truck back then). The program became the industry standard for the next decade. This guy was basically Bill Gates before Bill Gates was Bill Gates.

But Then He Got Screwed

Of course, at the same time, Bill Gates was busy trying to become Bill Gates, and he eventually achieved that at Kildall’s expense.

In 1980, IBM was getting ready to launch its first personal computer and needed an operating system to operate the shit out of it. They first knocked on Microsoft’s door, but Microsoft wasn’t really into the OS-making business at that point, so they directed the IBM suits to Gary Kildall’s company. However, as nerd lore has it, Gary picked that day to go flying (he was an amateur pilot), blowing off IBM and his chance at history.

Accounts differ on whether Kildall met the IBM suits that day or not, but either way, the company went back to Microsoft, totally forgetting the whole “We don’t make OS’s here” part. Not one to miss out on an opportunity, Bill Gates turned to local programmer Tim Paterson, who had built a CP/M clone he called QDOS (for “Quick and Dirty Operating System”), bought it for a paltry 50 grand, then turned around and sold it to IBM under the name PC-DOS.

PC-DOS, later renamed MS-DOS, was included in every computer IBM made, and, long story short, that’s why roughly 90 percent of you are using Microsoft Windows right now.

Today, Kildall’s name is barely known, while Bill Gates will be a household name in the fucking 25th century. Most of Kildall’s innovations ended up being credited to other people — and he can’t even defend himself, having died in 1994 after falling down in a tavern, which pretty much just seems like his luck.

Via Cracked

 

 

 

 

IL-Header-Communicating-with-the-Future

Comments are closed.

DaVinci Coders